Artist Assistant

Overview: I worked as an assistant for artist-engineer Michael Koehle. The bulk of my work was consisted of developing analog/digital studies in testing experimental art making processes and technical equipment. Michael and I analyzed the outcomes of the studies and iterated upon them to reveal new insights. The knowledge gained through my tests are being currently being used by Michael’s own creative practice. 

My Role: Artist Assistant 

Timeline: 6/2018 to 8/2018

Analog Studies

Michael wanted to experiment with projecting his own imagery onto cyanotypes. (Cyanotype prints involve a dying and printing process which is light sensitive and reactive to water exposure.)

I started by developing a light sensitive solution of two chemicals (potassium ferricyanide and ferric ammonium citrate). I then painted sheets of card stock with the solution and allowed them to dry in the dark.

The paper was then cut into rolls and twisted into spirals. For the studies, I used different patterns to organize the spirals—such as rows or spirals. 

The chosen image was printed onto a plastic sheet and placed on top of the cyanotype. The cyanotype was then set in direct sunlight. The darker areas of image blocked the sunlight and thus created lighter areas on the cyanotype. Similarly, the transparent parts of the image allowed for more light exposure and led to a darker blue color on the cyanotype. 

In order to remove and experiment with ink color, Michael dipped and soaked the cyanotype in water. The water removes some of the ink and thus enhances the contrast between the light and dark areas.  

After the entire process, Michael and I realized that it was difficult to distinguish the imagery on the cyanotype. Yet, Michael believed that it would be easier to distinguish the imagery if the cyanotypes were executed at a larger scale. Additionally, he believed that if the paper spirals followed the curvature of the imagery, the imagery might be better reinforced. 

Digital Studies

Michael developed 3-D models of wave forms which he then wanted to CNC mill in the Autodesk Pier 9 workshop. I helped set up the CAM on Fusion360 for the 3D models. The wave forms will be later integrated into a future project.  

As an experiment with new Form Lab printers, Michael wanted to print out bristles to create plastic bristle brushes. I created a 3D model of 81 different bristles with varying widths and hole openings.